My review of Imperfect Echoes is published in November
2016 Issue of Midwest Book Review: Reviewer’s Bookwatch!
Reviewer's Bookwatch
Volume 16, Number 11
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November 2016
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Imperfect Echoes: Writing Truth and Justice with Capital
Letters, lie and oppression with Small
Carolyn Howard-Johnson
HowToDoItFrugally Publishing
9781515232490, $9.95 Paperback, $2.99 Kindle, 148 pages
Carolyn Howard-Johnson
HowToDoItFrugally Publishing
9781515232490, $9.95 Paperback, $2.99 Kindle, 148 pages
Amazon: https://www.amazon.com/Imperfect-Echoes-Writing-Justice-oppression/dp/1515232492
Marlan Warren, Reviewer
http://roadmapgirlsbookbuzz.blogspot.com
Genres: Poetry Anthology/Social Justice
Narcissus knows her reflection
well. She forgets to peer
under burkas, in our jails,
in the beds of the abused,
deeper, deeper into the pond...
―Howard-Johnson, Carolyn. Narcissus Revisited.
Carolyn Howard-Johnson's "Imperfect Echoes: Writing Truth and Justice with Capital Letters, lie and oppression with Small" is just perfect.
This Los Angeles award-winning poet lays out the landscape of her contemplative thoughts, feelings and reactions with such honesty and deceptive simplicity that they have the effect of offering a peek into her private journals. What puts this poetry on par with leaping tall buildings is the fact that each poem manages the feat of conveying personal and universal relevance at once.
Do not be scared off by the prospect of political rhetoric masquerading as literature; this is not one of those books. Although the book's subtitle may strike some as rather lofty, it is a quote from Czeslaw Milosz's poem, "Incantation," in his anthology, "The Captive Mind," which reflects Howard-Johnson's poetic themes. She has divided her prolific poems into a Prologue plus four sections: "Remembering What We Must"; "Nations: Tranquil Self-Destruction"; "Acceptance: Waiting for the Gift"; and "Future Stones of Distrust."
Howard-Johnson deftly blends the "Truth and Justice" observations with the "Small" moments of "lie(s)" and "oppression" as they intersperse through her poet's journey. The poems in "Remembering What We Must" address the stark realities of war and global misery, which Howard-Johnson treats with her practiced light touch that floats like the proverbial butterfly and stings like an outraged bee.
In "Belgium's War Fields," she compares the reasons for bygone wars to our present day confusion: "And now a war that takes from the mouths /and hearts of the stranded, the homeless. / How different from those who / marched with snares or flew flags / in a war when we knew / why we were there."
In the "Nations: Tranquil Self-Destruction" section, "The Story of My Missed Connection in Minneola" brings to life a brief rest stop during a road trip, which seems rather amusing at first as the wife relieves her bladder and the husband declines the coffee with "Let's skip it. Coffee's / probably been stewing for days..." but hits an unexpected bump of overt bigotry when the roadside store owner confides in them (in between the screeches of his pet parrot) that he left Los Angeles to get away from the "ragheads."
In the "Acceptance: Waiting for the Gift" section, "Relatives" takes on the ways in which "Small" minds can make a family dinner feel like a stint in Purgatory: "Perhaps you won't invite me back / if I mention that infamous / uncle. You know, the one who killed / three of his wives / but is candid / about who he is, / how many he's killed, / the methods he used / and never gets invited to dinner.
In the "Future Stones of Distrust" section, "Rosa Parks Memorialized" opens with "On the day our September losses / reached 2,000, a tribute / to Rosa..." and asks "If she were alive now.../ would her solo / be enough or do we need now a choir singing, / thousands screaming...?"
Imperfect Echoes allows readers to witness a poet's lifetime revisited in memory and with fresh wisdom. If the topics of oppression, prejudice and war seem to some "overdone," Howard-Johnson responds in her Prologue poem, "Apologies from a Magpie":
Magpies are born to sing others' songs -
stained notes, imperfect echoes -
until the world begins to know
them by heart.
Note: All proceeds from the sales will be donated to the non-profit human rights watchdog, Amnesty International.
Marlan Warren, Reviewer
http://roadmapgirlsbookbuzz.blogspot.com
Genres: Poetry Anthology/Social Justice
Narcissus knows her reflection
well. She forgets to peer
under burkas, in our jails,
in the beds of the abused,
deeper, deeper into the pond...
―Howard-Johnson, Carolyn. Narcissus Revisited.
Carolyn Howard-Johnson's "Imperfect Echoes: Writing Truth and Justice with Capital Letters, lie and oppression with Small" is just perfect.
This Los Angeles award-winning poet lays out the landscape of her contemplative thoughts, feelings and reactions with such honesty and deceptive simplicity that they have the effect of offering a peek into her private journals. What puts this poetry on par with leaping tall buildings is the fact that each poem manages the feat of conveying personal and universal relevance at once.
Do not be scared off by the prospect of political rhetoric masquerading as literature; this is not one of those books. Although the book's subtitle may strike some as rather lofty, it is a quote from Czeslaw Milosz's poem, "Incantation," in his anthology, "The Captive Mind," which reflects Howard-Johnson's poetic themes. She has divided her prolific poems into a Prologue plus four sections: "Remembering What We Must"; "Nations: Tranquil Self-Destruction"; "Acceptance: Waiting for the Gift"; and "Future Stones of Distrust."
Howard-Johnson deftly blends the "Truth and Justice" observations with the "Small" moments of "lie(s)" and "oppression" as they intersperse through her poet's journey. The poems in "Remembering What We Must" address the stark realities of war and global misery, which Howard-Johnson treats with her practiced light touch that floats like the proverbial butterfly and stings like an outraged bee.
In "Belgium's War Fields," she compares the reasons for bygone wars to our present day confusion: "And now a war that takes from the mouths /and hearts of the stranded, the homeless. / How different from those who / marched with snares or flew flags / in a war when we knew / why we were there."
In the "Nations: Tranquil Self-Destruction" section, "The Story of My Missed Connection in Minneola" brings to life a brief rest stop during a road trip, which seems rather amusing at first as the wife relieves her bladder and the husband declines the coffee with "Let's skip it. Coffee's / probably been stewing for days..." but hits an unexpected bump of overt bigotry when the roadside store owner confides in them (in between the screeches of his pet parrot) that he left Los Angeles to get away from the "ragheads."
In the "Acceptance: Waiting for the Gift" section, "Relatives" takes on the ways in which "Small" minds can make a family dinner feel like a stint in Purgatory: "Perhaps you won't invite me back / if I mention that infamous / uncle. You know, the one who killed / three of his wives / but is candid / about who he is, / how many he's killed, / the methods he used / and never gets invited to dinner.
In the "Future Stones of Distrust" section, "Rosa Parks Memorialized" opens with "On the day our September losses / reached 2,000, a tribute / to Rosa..." and asks "If she were alive now.../ would her solo / be enough or do we need now a choir singing, / thousands screaming...?"
Imperfect Echoes allows readers to witness a poet's lifetime revisited in memory and with fresh wisdom. If the topics of oppression, prejudice and war seem to some "overdone," Howard-Johnson responds in her Prologue poem, "Apologies from a Magpie":
Magpies are born to sing others' songs -
stained notes, imperfect echoes -
until the world begins to know
them by heart.
Note: All proceeds from the sales will be donated to the non-profit human rights watchdog, Amnesty International.
Title: The First Practical Handbook for Crazy People [Making the Best of Mental Illness]
Authors: Shelly Glaser with Sherry Glaser
Genre: Self-Help/Recovery/Mental Illness
Publisher: Mother's Milk Publications
Paperback: Pub. Sept. 6, 2016
ISBN: 978-0-692-76460-2 (90 pages)
Kindle E-Book: Pub. Aug. 4, 2016
ASIN: B01JTMPELO (File Size: 308 KB)
Website: http://www.sherryglaser.net
Author Contact: sherryamore67@outlook.com
MIDWEST BOOK REVIEW
By Marlan Warren:
The Mother-Daughter Continuum
Continuum: noun (kƒn-tin'yoo- ƒm): A continuous sequence in which adjacent elements are not perceptibly different from each other, although the extremes are quite distinct, e.g., at the fast end of the fast-slow continuum.
--The First Practical Handbook for Crazy People [Making the Best of Mental Illness]
In the self-help tradition of Louise Hay’s New Thought books (“Heal Your Life”), comes The First Practical Handbook for Crazy People [Making the Best of Mental Illness]. It not only features tips from mental patient, Shelly Glaser, but the twist is that this handbook was not only posthumously published, but co-written with her daughter—award-winning performance artist and author, Sherry Glaser—after Shelly died.
Years after her mother’s death (hastened by the side effects of anti-psychotic medications), Sherry Glaser came across the manuscript in rough draft (with this title) and felt inspired to finish it, adding her own story—which included deep fear of inheriting mental illness— and delineating the tools she uses to transcend that dread and keep herself sane.T
True to its title, this book offers practical step-by-step tools made so simple that anyone could try them and not feel overwhelmed by the prospect. They include meditation, the mind-body connection and the “exotic” (for the more adventurous).
Each Glaser has walked through her own mental hell. Each tells her hair-raising story (in the elder Glaser’s case, literally, as she endured numerous electroshock treatments) with eloquence and wry humor.
The book opens with Mama Glaser’s life story. Along the way, she stops to explain what worked for her, what didn’t work for her, and encourages all seekers to make their own decisions as they explore options for recovery. How do you choose a therapist? Should you get electroshock treatments? Shelly lays out the choices without pushing. She does not try to sell herself as an expert on anything but her own experiences. Her direct honesty and plain talk give an insider look into how mental illness can be bravely borne with a strong will to heal whatever can be healed. Shelly Glaser could be your mother, your sister, your daughter…your peer. And her resilience inspires.
Then “The Mother-Daughter Continuum” swings into focus as Sherry tells her side, creating a link between their “herstories” that resonates beyond the grave.
It’s no surprise that Sherry Glaser puts “Creativity” at the top of her list of mental health lifesavers. She came to New York fame with her one-woman show, Family Secrets, which still holds the title of the Longest-Running One-Woman Show in Off-Broadway History. In 2015, her Oh My Goddess!: A Comedy of Biblical Proportions won the Best Avant-Garde award at New York's United Solo Festival.
In the section entitled Sherry: The Sequel, she recounts her rollercoaster life without a trace of self-pity or morbid self-reflection. Sherry reveals herself to be a dedicated activist against war and for cannabis legalization, who was devastated by the sudden disappearance of her husband, which remains an unsolved mystery to this day. Add to that lesbian marriage/divorce and arrest by a SWAT team, and it seems a wonder she is not in a straitjacket.
By Marlan Warren:
The Mother-Daughter Continuum
Continuum: noun (kƒn-tin'yoo- ƒm): A continuous sequence in which adjacent elements are not perceptibly different from each other, although the extremes are quite distinct, e.g., at the fast end of the fast-slow continuum.
--The First Practical Handbook for Crazy People [Making the Best of Mental Illness]
In the self-help tradition of Louise Hay’s New Thought books (“Heal Your Life”), comes The First Practical Handbook for Crazy People [Making the Best of Mental Illness]. It not only features tips from mental patient, Shelly Glaser, but the twist is that this handbook was not only posthumously published, but co-written with her daughter—award-winning performance artist and author, Sherry Glaser—after Shelly died.
Years after her mother’s death (hastened by the side effects of anti-psychotic medications), Sherry Glaser came across the manuscript in rough draft (with this title) and felt inspired to finish it, adding her own story—which included deep fear of inheriting mental illness— and delineating the tools she uses to transcend that dread and keep herself sane.T
True to its title, this book offers practical step-by-step tools made so simple that anyone could try them and not feel overwhelmed by the prospect. They include meditation, the mind-body connection and the “exotic” (for the more adventurous).
Each Glaser has walked through her own mental hell. Each tells her hair-raising story (in the elder Glaser’s case, literally, as she endured numerous electroshock treatments) with eloquence and wry humor.
The book opens with Mama Glaser’s life story. Along the way, she stops to explain what worked for her, what didn’t work for her, and encourages all seekers to make their own decisions as they explore options for recovery. How do you choose a therapist? Should you get electroshock treatments? Shelly lays out the choices without pushing. She does not try to sell herself as an expert on anything but her own experiences. Her direct honesty and plain talk give an insider look into how mental illness can be bravely borne with a strong will to heal whatever can be healed. Shelly Glaser could be your mother, your sister, your daughter…your peer. And her resilience inspires.
Then “The Mother-Daughter Continuum” swings into focus as Sherry tells her side, creating a link between their “herstories” that resonates beyond the grave.
It’s no surprise that Sherry Glaser puts “Creativity” at the top of her list of mental health lifesavers. She came to New York fame with her one-woman show, Family Secrets, which still holds the title of the Longest-Running One-Woman Show in Off-Broadway History. In 2015, her Oh My Goddess!: A Comedy of Biblical Proportions won the Best Avant-Garde award at New York's United Solo Festival.
In the section entitled Sherry: The Sequel, she recounts her rollercoaster life without a trace of self-pity or morbid self-reflection. Sherry reveals herself to be a dedicated activist against war and for cannabis legalization, who was devastated by the sudden disappearance of her husband, which remains an unsolved mystery to this day. Add to that lesbian marriage/divorce and arrest by a SWAT team, and it seems a wonder she is not in a straitjacket.
And speaking of straitjackets…
The cover features a black man smiling beatifically…in a straitjacket. How did this cover come to grace the Mother-Daughter Continuum’s first handbook? Sherry explains before she even gets to page 1. Hint: Her mother was behind it.
No alternative tool is left unturned. Mother and daughter offer two different viewpoints on the topic of electroshock therapy vs. medical cannabis. Actually, one left something out of her story in this regard, and the other one put it back in. Hint: Sherry Glaser is a founding member of the Love In It Co-op, a medical marijuana dispensary in Mendocino, California.
With its Companion Questionnaire that is designed to be used in a Clinical Psychology classroom as a workbook, but is user-friendly enough for a more casual setting, The First Practical Handbook for Crazy People serves as a useful, calming addition to anyone’s mental health library.
And for those of us whose parents struggled with the horrors of mental illness, this book does its best to empower us by removing the stigma of “crazy,” and replacing it with the hope that we can move through healing and serenity, no matter whose genes we inherited.
#SherryGlaser #NAMI #MentalHealth #PsychologyBooks #Memoir
Title: Dazzled
Author: Maxine Nunes
Series: A Nikki Easton Mystery (Book 1)
Publisher: Five Star (October 23, 2013)
ISBN-13: 978-1432827304
Available on Amazon (Paperback, Kindle and Hard Cover)
Website: http://www.maxinenunes.com/
Synopsis: Feisty one-liner actress Nikki Easton finds herself embroiled in a quest to either find out who murdered her best friend—the "dazzling" aspiring actress Darla—or verify that the unrecognizable corpse buried in the Hollywood Forever Cemetery is really someone else. Along the way, Nikki finds herself smitten with a sexy cop, looks for clues at a Playboy-type mansion, and tangles with unsavory Underworld characters whose antics and shocking connections are nearly indistinguishable from the rest of Hollywood's movers who slither through this book. Sex, drugs and lost souls who are torn between the need to be "somebody" and the desire to flee L.A. keep this mystery ticking like the proverbial time bomb.
Review:
Maxine Nunes' Dazzled is a tale told with such precision for atmospheric details, lifestyle annoyances and pitch perfect dialogue, it should come with a cautionary disclaimer for Los Angelenos:
"Warning: May induce the sensation that you are still inside the plot every time you look up from the book."
True to its genre, the story takes readers where others have gone before, but Nunes puts a fresh spin on the familiar elements through inspired turns of phrases ("...a man who evidently thought a strip of chest hair would do for a necktie") and quirky 21st Century updates (gifted with a bouquet, the only "vase" Nikki can find is an empty Slurpee cup).
Nunes also has a gift for depicting layered characters. To this end, she makes excellent use of an acting class that demands "honest emotions" of its students. In the hands of a lesser writer, these scenes could come off as satire or excessively dramatic; but here they skillfully alternate between humor and pathos while giving readers the necessary insights.
The stronger the personality the more it hid.—Dazzled
Dazzled lovingly and painstakingly explores the paradoxical contradictions of Los Angeles and its hapless inhabitants. The smell of night jasmine juxtaposes with the stench of the morgue...an actress with a "show biz" sensuality hides her true self in plain sight...and all the sleights of hand resonate in the book's first line:
What's real?
At its core, the mystery explores love in its various forms and disguises. Twists, turns and double-crosses abound. Enough to keep the pages turning, but not so complicated or overloaded with characters that it ever feels unwieldy.
All in all, a fun read—unless you are living in L.A., in which case you might have fun while also thinking about leaving town; or if you are the optimistic type, you might find yourself looking forward to a sequel!
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| Maxine Nunes |
#Mystery #Thriller #LosAngelesAuthors #L.A.Mysteries
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